Pova\u017esk\u00e9 m\u00fazeum v \u017diline pripravilo na hrade Stre\u010dno v r\u00e1mci 40. pokra\u010dovania cyklu Umenie na hrade v\u00fdstavu, ktor\u00e1 pribli\u017euje v\u00fdber z tvorby olomouck\u00e9ho v\u00fdtvarn\u00edka V\u00edta Johna. Prostredn\u00edctvom svojich obrazov prinesie na hrad Stre\u010dno hrdinov svetovej literat\u00fary a dr\u00e1my: sl\u00e1vneho rytiera Dona Quijota ne\u00fanavne bojuj\u00faceho za pravdu a spravodlivos\u0165, tragikomick\u00e9ho Cyrana z\u00a0Bergeracu,\u00a0symbolick\u00fa postavu harlek\u00fdna z\u00a0talianskej kom\u00e9die dell\u2019arte a \u010fal\u0161\u00edch.<\/p>\n
Pon\u00fakame v\u00e1m rozhovor s autorom:<\/p>\n
V\u00edt John sa ako profesion\u00e1lny maliar a\u00a0grafik aktu\u00e1lne zameriava najm\u00e4 na symbolick\u00e9 zn\u00e1zornenie \u013eudsk\u00fdch em\u00f3ci\u00ed, charakterov a\u00a0vz\u0165ahov, pri\u010dom, ako s\u00e1m prizvukuje, prevl\u00e1daj\u00fa t\u00e9my slobody a bl\u00e1znovstiev \u017eivota. Pozv\u00e1nka k jeho pripravovanej v\u00fdstave na hrade Stre\u010dno zobrazuje \u0161a\u0161a a\u00a0viacer\u00e9 jeho obrazy p\u00f4sobia, akoby boli roben\u00e9 na mieru priestorom hradu. Preto sme nemohli rozhovor s\u00a0uzn\u00e1van\u00fdm umelcom za\u010da\u0165 inak, ako ot\u00e1zkou na jeho vz\u0165ah k\u00a0nem\u00fdm svedkom minulosti.<\/p>\n
Ke\u010f vid\u00edm hrad, najlep\u0161ie zr\u00facaninu, hne\u010f sa mi zr\u00fdchli pulz. <\/strong>L\u00e1ska k\u00a0nim u\u00a0m\u0148a pretrv\u00e1va z\u00a0mladosti ke\u010f sme s\u00a0priate\u013emi trampmi zalo\u017eili klub priate\u013eov hradov a\u00a0z\u00e1mkov. Hovorili sme si Ryt\u00ed\u0159i Korbeln\u00edci. Rytieri a\u00a0zbrojno\u0161i s\u00fa z\u00e1rove\u0148 mot\u00edvom nieko\u013ek\u00fdch mojich obrazov. Pri ich zobrazovan\u00ed som chcel vyzdvihn\u00fa\u0165 kontrast medzi zranite\u013enos\u0165ou a\u00a0n\u00e1sil\u00edm, preto som nechal spod brnenia vyk\u00faka\u0165 aj ich nah\u00fa poko\u017eku. K\u00a0nama\u013eovaniu tohto cyklu ma podnietil pr\u00edbeh kr\u00e1\u013ea Artu\u0161a a me\u010da Excalibur.<\/p>\n Rytieri nie s\u00fa jedin\u00ed hrdinovia va\u0161ich malieb.<\/strong><\/p>\n Kedysi som videl star\u00fd film z\u00a0roku 1945 D\u011bti r\u00e1je in\u0161pirovan\u00fd \u017eivotom sl\u00e1vneho franc\u00fazskeho m\u00edma, pierota menom Jean-Gaspard deBureau. Ve\u013emi romanticky zobrazoval svet divadla, povrazochodcov,\u00a0ne\u0161\u0165astnej l\u00e1sky… Bol to pre m\u0148a neuverite\u013ene mystick\u00fd z\u00e1\u017eitok, ktor\u00fd ma doslova prevalcoval. Vtedy som prepadol t\u00e9me kom\u00e9die dell\u2019arte. Ide v\u00a0podstate o\u00a0kom\u00e9diu \u013eudsk\u00fdch typov, ktor\u00e9 symbolizuj\u00fa postavy ako Pierot, Harlek\u00fdn, Kolomb\u00edna, Dottore, Capitano… Vznikla kedysi v\u00a0stredovekom Taliansku a hrali ju potuln\u00ed divadeln\u00edci.<\/p>\n Rovnako ve\u013emi in\u0161pirat\u00edvnou t\u00e9mou, s\u00a0ktorou dok\u00e1\u017eem pracova\u0165 dlhodobo je Don Quijote. Div\u00e1k, ktor\u00fd pozn\u00e1 jeho pr\u00edbeh dok\u00e1\u017ee tieto obrazy pekne rozk\u00f3dova\u0165.<\/p>\n Aktu\u00e1lne sa venujem dvom cyklom \u2013 Lietanie a Jazdci \u2013 v\u00a0ktor\u00fdch nach\u00e1dzam moje k\u013e\u00fa\u010dov\u00e9 t\u00e9my \u2013 slobodu a\u00a0bl\u00e1znovstvo. Zauj\u00edmav\u00e9 je, \u017ee len ned\u00e1vno som si uvedomil ak\u00e9 podstatn\u00e9 s\u00fa pre m\u0148a pr\u00e1ve tieto dve t\u00e9my a sp\u00e4tne ich nach\u00e1dzam aj vo svojich skor\u0161\u00edch obrazoch.<\/p>\n V\u0161etky tieto t\u00e9my maj\u00fa ale jeden spolo\u010dn\u00fd menovate\u013e a\u00a0t\u00fdm je figur\u00e1lna kompoz\u00edcia. Mnoh\u00ed \u013eudia, pri k\u00fape obrazu automaticky uva\u017euj\u00fa o\u00a0krajine \u010di abstrakcii, s\u00a0ak\u00fdmi reakciami sa ako figuralista stret\u00e1vate?<\/strong><\/p>\n Je pravda, \u017ee skupina \u013eud\u00ed, ktor\u00ed by si do\u00a0ob\u00fdva\u010dky k\u00fapili ma\u013ebu s\u00a0fig\u00farou je mal\u00e1. Raz za mnou do ateli\u00e9ru pri\u0161iel kamar\u00e1t \u2013 psychol\u00f3g a\u00a0po chv\u00edli, ako sa d\u00edval na moje obrazy mi\u00a0povedal, \u017ee \u010dlovek, ke\u010f si k\u00fapi tak\u00fdto obraz a\u00a0zaves\u00ed si ho v\u00a0byte, to je ako keby si k\u00a0sebe nas\u0165ahoval \u010fal\u0161ieho \u010dloveka. Tie\u017e mi vysvetlil, \u017ee \u013eudia, ktor\u00ed si kupuj\u00fa obrazy s\u00a0figurat\u00edvnou t\u00e9matikou s\u00fa ve\u013emi siln\u00e9 osobnosti a intelektu\u00e1lne vyspel\u00ed \u013eudia.<\/p>\n \u010co by ste poradili \u013eu\u010fom, ktor\u00ed k\u00fapu nejak\u00e9ho obrazu zva\u017euj\u00fa, pod\u013ea \u010doho by mali vybera\u0165?<\/strong><\/p>\n \u010clovek si zv\u00e4\u010d\u0161a kupuje obraz na cel\u00fd \u017eivot, preto je d\u00f4le\u017eit\u00e9 aby sa mu p\u00e1\u010dil. Mal by sa preto riadi\u0165 v\u00a0prvom rade in\u0161tinktom a ur\u010dite by sa pri tom nemal pon\u00e1h\u013ea\u0165.\u00a0Je dobr\u00e9 \u00eds\u0165 si vybran\u00fd k\u00fasok pozera\u0165 viackr\u00e1t. Pod\u013ea toho, \u010do mi hovoria galeristi, toto je typick\u00fd znak aj pre kupcov mojich obrazov. S\u00fa toti\u017e obrazy, ktor\u00e9 sa \u013eu\u010fom zap\u00e1\u010dia na prv\u00fd poh\u013ead a\u00a0okam\u017eite sa predaj\u00fa, no \u010dasto sa st\u00e1va, \u017ee ich majitelia po \u010dase zistia, \u017ee tieto obrazy v\u00a0sebe nemaj\u00fa \u017eiadnu energiu. A obraz by mal by\u0165 v\u00a0prvom rade vysiela\u010d energie! Pri v\u00fdbere je tie\u017e dobr\u00e9 vedie\u0165 nie\u010do o\u00a0autorovi, preto\u017ee ka\u017ed\u00fd umelec vklad\u00e1 do svojho diela s\u00e1m seba. Aj ja s\u00e1m hovor\u00edm o\u00a0svojich obrazoch ako o\u00a0autoportr\u00e9toch.<\/p>\n Kto s\u00fa \u013eudia pre ktor\u00fdch ma\u013eujete? Stret\u00e1vate sa r\u00e1d s\u00a0nov\u00fdmi majite\u013emi svojich obrazov?<\/strong><\/p>\n Ma\u013eujem v\u00a0prvom rade pre seba. Je to pre m\u0148a nutnos\u0165, bez ktorej si \u017eivot neviem predstavi\u0165. Samozrejme, v\u017edy ma zauj\u00edma kto si m\u00f4j obraz k\u00fapil, aj ke\u010f dozviem sa to len m\u00e1lokedy, ke\u010f\u017ee v\u00e4\u010d\u0161ina diel sa pred\u00e1 v\u00a0gal\u00e9ri\u00e1ch alebo na v\u00fdstav\u00e1ch.<\/p>\n Ma\u013eujete teda od mali\u010dka?<\/strong><\/p>\n V\u0161etky deti ma\u013euj\u00fa, len v\u00e4\u010d\u0161ina z\u00a0nich v\u00a0ur\u010ditom obdob\u00ed prestane. Ja som neprestal.<\/p>\n Najsk\u00f4r, po \u0161kole, som bol zbl\u00e1znen\u00fd do grafiky, za\u010dal som s\u00a0perokresbami a\u00a0nato som pre\u0161iel na grafiku, ktor\u00e1 mi, takpovediac, dokonale sedela. Vtedy som si\u00a0myslel, \u017ee pri nej ostanem, ale postupom \u010dasu som sa dostal k ma\u013ebe. Nadchla ma r\u00fdchlos\u0165 spracovania v\u00a0porovnan\u00ed s\u00a0grafikou, ale \u00falohu zohral najm\u00e4 dopyt. Grafiku vie oceni\u0165 len ve\u013emi m\u00e1lo fajn\u0161mekrov a\u00a0venujem sa jej dodnes, no gro mojej tvorby s\u00fa ma\u013eby. \u00da\u017easnou vecou na ma\u013ebe je, \u017ee obohacuje dielo o\u00a0farbu \u2013 nosite\u013eku em\u00f3cie. Dnes,\u00a0v\u017edy ke\u010f n\u00e1jdem mot\u00edv, nasko\u010dia mi hne\u010f aj farby, ktor\u00e9 na\u0148 pou\u017eijem. Samozrejme, farby po ktor\u00fdch siaham odr\u00e1\u017eaj\u00fa aj m\u00f4j moment\u00e1lny stav a\u00a0n\u00e1ladu.<\/p>\n Nem\u00e1te nikdy strach, \u017ee vy\u010derp\u00e1te studnicu n\u00e1padov? <\/strong><\/p>\n Nie. Neust\u00e1le skicujem a\u00a0ke\u010f sa mi naraz zd\u00e1, \u017ee kresba dostala my\u0161lienku, je hotovo. Nov\u00e9 mot\u00edvy ku mne prich\u00e1dzaj\u00fa tak akosi sam\u00e9 a neust\u00e1le.<\/p>\n Pripravovan\u00e1 v\u00fdstava na hrade Stre\u010dno m\u00e1 n\u00e1zov Nepostr\u00e1date\u013en\u00ed, \u010do je v \u017eivote nepostr\u00e1date\u013en\u00e9 pre v\u00e1s?<\/strong><\/p>\n Tento n\u00e1zov mo\u017eno ch\u00e1pa\u0165 vo\u00a0viacer\u00fdch rovin\u00e1ch. Pre m\u0148a, a\u00a0predpoklad\u00e1m, \u017ee rovnako aj pre ka\u017ed\u00e9ho in\u00e9ho kult\u00faru miluj\u00faceho a\u00a0vn\u00edmaj\u00faceho \u010dloveka, s\u00fa nepostr\u00e1date\u013en\u00e9 obrazy, \u010di in\u00e9 umeleck\u00e9 artefakty. Samozrejme, nesmiem zabudn\u00fa\u0165 na \u013eud\u00ed, kor\u00ed s\u00fa mi bl\u00edzki, \u013eudia, tak trochu bl\u00e1zni, ktor\u00ed ma bavia, \u013eudia, \u010do vedia sn\u00edva\u0165… To v\u0161etko n\u00e1jdete aj v mojich obrazoch, ktor\u00e9 si u\u017e od 19. augusta budete m\u00f4c\u0165 na hrade Stre\u010dno pozrie\u0165.<\/p>\n Kur\u00e1torom v\u00fdstavy je \u010fal\u0161\u00ed maliar, zn\u00e1my \u017dilin\u010dan Stano Lajda, ako t\u00e1to spolupr\u00e1ca vznikla?<\/strong><\/p>\n Nevedel som, \u017ee na Stre\u010dne sa tak\u00e9to v\u00fdstavy robievaj\u00fa. So Stankom sa pozn\u00e1me a pred \u010dasom, ke\u010f tam s\u00e1m vystavoval mi t\u00fato mo\u017enos\u0165 navrhol. On ma do v\u0161etk\u00e9ho zasv\u00e4til, tak\u017ee sa d\u00e1 poveda\u0165, \u017ee je to vlastne cel\u00e9 jeho iniciat\u00edva. Ve\u013emi sa te\u0161\u00edm z\u00a0mo\u017enosti vystavova\u0165 tu, ke\u010f\u017ee o\u00a0div\u00e1kov na hrade nie je n\u00fadza. Rovnako som ve\u013emi r\u00e1d, \u017ee sa Stano zhostil \u00falohy kur\u00e1tora.<\/p>\n M\u00e1te k\u00a0\u017diline a okoliu aj osobne bl\u00edzko?<\/strong><\/p>\n Moja man\u017eelka, tie\u017e v\u00fdtvarn\u00ed\u010dka, s\u00a0ktorou tvor\u00edme v\u00a0ateli\u00e9ri Art JOHN poch\u00e1dza z\u00a0Martina, tak\u017ee\u00a0ten sa mi stal druh\u00fdm domov. M\u00e1me v\u00a0Martine a\u00a0v \u017diline ve\u013ea priate\u013eov a\u00a0v\u017edy sa tam te\u0161\u00edm, aj kv\u00f4li dobr\u00e9mu pivu \ud83d\ude42<\/p>\n Viac o\u00a0autorovi:<\/strong><\/p>\n V\u00edt John sa realizuje, ako profesion\u00e1lny maliar, grafik a pr\u00edle\u017eitostn\u00fd tvorca keramick\u00fdch predmetov. Vy\u0161tudoval Stredn\u00fa \u0161kolu umeleck\u00fdch remesiel v Prahe. Bydliskom a profesijn\u00fdm z\u00e1zem\u00edm sa mu stal Olomouc, kde je tie\u017e \u010dlenom \u00danie v\u00fdtvarn\u00fdch umelcov Olomoucka. Jeho pr\u00e1ce s\u00fa zameran\u00e9 na figur\u00e1lnu kompoz\u00edciu. V za\u010diatkoch svojej umeleckej tvorby sa s\u00fastredil na zobrazovanie Nov\u00e9ho a Star\u00e9ho z\u00e1kona a mytologick\u00fdch sc\u00e9n. Nesk\u00f4r ho zaujala t\u00e9ma divadla dell\u2018arte, ktor\u00e1 sa v jeho tvorbe objavuje dodnes. V\u00a0portf\u00f3liu nach\u00e1dzame tie\u017e tematick\u00e9 cykly \u2013 Menhiry, O anjeloch, Lietanie, Jazdci \u2013 ktor\u00fdch spracovanie sa via\u017ee k ur\u010dit\u00fdm etap\u00e1m umelcovho \u017eivota.<\/p>\n Napriek skuto\u010dnosti, \u017ee k niektor\u00fdm star\u0161\u00edm t\u00e9mam sa ob\u010das vracia, jeho s\u00fa\u010dasn\u00e1 tvorba je zameran\u00e1 na medzi\u013eudsk\u00e9 vz\u0165ahy. Viac \u0165a\u017e\u00ed zo \u017eivota a \u013eudsk\u00e9 em\u00f3cie a povahy zn\u00e1zor\u0148uje v symbolickej rovine, pri\u010dom prevl\u00e1daj\u00fa t\u00e9my vo\u013enosti, bl\u00e1znovstiev \u017eivota a slobody.<\/p>\n V\u00edt John je akt\u00edvnym vystavovate\u013eom v \u010ceskej republike. Jeho diela si v\u0161ak v r\u00e1mci autorsk\u00fdch a kolekt\u00edvnych v\u00fdstav z\u00edskali svojich obdivovate\u013eov i\u00a0v \u010falekej Venezuele a\u00a0Kanade, \u010di v Nemecku, Litve, Rusku, Holandsku, Rak\u00fasku, Taliansku, Srbsku, Chorv\u00e1tsku, a samozrejme na Slovensku, kde sa stali\u00a0s\u00fa\u010das\u0165ou mnoh\u00fdch s\u00fakromn\u00fdch zbierok.<\/p>\n www-vitjohn.com<\/p>\n","protected":false},"excerpt":{"rendered":" Pova\u017esk\u00e9 m\u00fazeum v \u017diline pripravilo na hrade Stre\u010dno v r\u00e1mci 40. pokra\u010dovania cyklu Umenie na hrade v\u00fdstavu, ktor\u00e1 pribli\u017euje v\u00fdber z tvorby olomouck\u00e9ho v\u00fdtvarn\u00edka V\u00edta Johna. Prostredn\u00edctvom svojich obrazov prinesie na hrad Stre\u010dno hrdinov svetovej literat\u00fary a dr\u00e1my: sl\u00e1vneho rytiera Dona Quijota ne\u00fanavne bojuj\u00faceho za pravdu a spravodlivos\u0165, tragikomick\u00e9ho Cyrana z\u00a0Bergeracu,\u00a0symbolick\u00fa postavu harlek\u00fdna z\u00a0talianskej kom\u00e9die […]<\/p>\n","protected":false},"author":2,"featured_media":17398,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[50],"tags":[],"class_list":["post-17400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiv-2016"],"yoast_head":"\n