{"id":43929,"date":"2021-02-05T15:54:24","date_gmt":"2021-02-05T14:54:24","guid":{"rendered":"https:\/\/pmza.sk\/?p=43929"},"modified":"2021-02-05T15:54:24","modified_gmt":"2021-02-05T14:54:24","slug":"restaurovanie-cechovej-zastavy","status":"publish","type":"post","link":"https:\/\/pmza.sk\/?p=43929","title":{"rendered":"Re\u0161taurovanie cechovej z\u00e1stavy"},"content":{"rendered":"

V historick\u00fdch zbierkach Pova\u017esk\u00e9ho m\u00fazea v \u017diline sa nach\u00e1dzaj\u00fa r\u00f4zne zauj\u00edmav\u00e9 expon\u00e1ty. Jedn\u00fdm z nich je ur\u010dite aj reprezentat\u00edvna z\u00e1stava zdru\u017een\u00fdch cechov z Var\u00edna, ktor\u00e1 moment\u00e1lne prech\u00e1dza re\u0161taurovan\u00edm. T\u00e1to v\u00fdnimo\u010dn\u00e1 z\u00e1stava poch\u00e1dza zo z\u00e1vere\u010dn\u00e9ho obdobia existencie cechov\u00fdch organiza\u010dn\u00fdch \u0161trukt\u00far, s konkr\u00e9tnym datovan\u00edm do roku 1861. Prebiehaj\u00face re\u0161taur\u00e1torsk\u00e9 pr\u00e1ce vykon\u00e1vaj\u00fa Mgr. art. Anna Blonska \u2013 re\u0161taur\u00e1torka historick\u00fdch text\u00edli\u00ed a akad. mal. \u013duba Wehlend so \u0161pecializ\u00e1ciou na re\u0161taurovanie z\u00e1vesn\u00fdch obrazov na pl\u00e1tne alebo in\u00fdch nosi\u010doch. Z\u00e1stava pozost\u00e1va z\u00a0troch z\u00e1kladn\u00fdch \u010dast\u00ed: textiln\u00e9ho z\u00e1stavov\u00e9ho listu obd\u013a\u017enikov\u00e9ho tvaru ukon\u010den\u00e9ho tromi c\u00edpmi \u2013 naj\u0161ir\u0161\u00edm stredn\u00fdm a\u00a0dvomi u\u017e\u0161\u00edmi bo\u010dn\u00fdmi, obojstrannej ma\u013eby na pl\u00e1tne a\u00a0tzv. kr\u00ed\u017eov\u00e9ho rahna.<\/p>\n

V prvej f\u00e1ze bolo potrebn\u00e9 z\u00e1stavu najprv rozobra\u0165 na jednotliv\u00e9 diely. Dreven\u00e9 kr\u00ed\u017eov\u00e9 rahno ukon\u010den\u00e9 po stran\u00e1ch dvojicami vol\u00fat zdob\u00ed celoplo\u0161n\u00fd plastick\u00fd dekor pozost\u00e1vaj\u00faci \u00a0z dvoch centr\u00e1lne umiestnen\u00fdch \u0161tylizovan\u00fdch mu\u0161l\u00ed, z ktor\u00fdch vych\u00e1dzaj\u00fa rastlinn\u00e9 \u00faponky. Ide o pekn\u00fa remeseln\u00fa rezb\u00e1rsku pr\u00e1cu. Vzh\u013eadom na celkov\u00fd dobr\u00fd stav kr\u00ed\u017eov\u00e9ho rahna, re\u0161taur\u00e1torsk\u00fd n\u00e1vrh po\u010d\u00edta \u201elen\u201c s jeho o\u010disten\u00edm a obnoven\u00edm p\u00f4vodnej povrchovej \u00fapravy. Z\u00e1stavov\u00fd list je z\u00a0tmavomodrej vlnenej tkaniny vzorovanej dama\u0161kovou textilnou v\u00e4zbou a rastlinn\u00fdm ornamentom. Po stran\u00e1ch ho lemuj\u00fa zlat\u00e9 strapce, ktor\u00e9 s\u00fa vidite\u013en\u00e9 aj na jednotliv\u00fdch c\u00edpoch. Tie s\u00fa ukon\u010den\u00e9 dekorat\u00edvnymi uzlov\u00fdmi strapcami plniacimi z\u00e1rove\u0148 funkciu z\u00e1\u0165a\u017ee.<\/p>\n

Centr\u00e1lne miesto na z\u00e1stavovom liste zauj\u00edma obojstranne ma\u013eovan\u00e9 pl\u00e1tno obd\u013a\u017enikov\u00e9ho tvaru. Jedna strana listu a v\u0161it\u00e9ho pl\u00e1tna sa via\u017ee pravdepodobne k\u00a0cechu obuvn\u00edkov a\u00a0\u010di\u017em\u00e1rov (spresnenie ich vz\u00e1jomn\u00e9ho vz\u0165ahu vo Var\u00edne dan\u00e9ho obdobia by mal prinies\u0165 arch\u00edvny v\u00fdskum). Pod zlat\u00fdm n\u00e1pisom na tkanine: S.\u00a0CRISPINE ET CRISPINIANE. ORATE PRO NOBIS. 1861 (\u201eModli sa za n\u00e1s.\u201c) sa nach\u00e1dza ma\u013eovan\u00fd v\u00fdjav na pl\u00e1tenom nosi\u010di zobrazuj\u00faci patr\u00f3nov oboch remesiel . Na oblaku vzn\u00e1\u0161aj\u00facom sa nad krajinou s cechov\u00fdm znakom v\u00a0popred\u00ed sedia postavy patr\u00f3nov \u0161evcovsk\u00e9ho aj\u00a0\u010di\u017em\u00e1rskeho remesla \u2013 sv. Kir\u0161p\u00edn a\u00a0sv. Kri\u0161pinian. Pod\u013ea legendy i\u0161lo o\u00a0dvoch bratov poch\u00e1dzaj\u00facich zo \u0161\u013eachtickej r\u00edmskej rodiny, ktor\u00ed sa vyu\u010dili obuvn\u00edckemu remeslu a usadili sa v\u00a0Galii. Tu popri obuvn\u00edckej praxi zvestovali z\u00e1rove\u0148 evanjelium. \u00dadajne bez ujmy na zdrav\u00ed odolali mnoh\u00fdm mu\u010deniam a\u00a0napokon boli s\u0165at\u00ed. \u0160idl\u00e1 nad prstami zobrazen\u00fdch post\u00e1v odkazuj\u00fa na jeden zo sp\u00f4sobov mu\u010denia.<\/p>\n

Na strane s n\u00e1pisom: S. PETER ET SIMEONE. ORATE\u00a0 PRO NOBIS. 1861 tvor\u00ed \u00fastredn\u00fa maliarsku sc\u00e9nu \u017eehnanie sv. Petra pokorne k\u013ea\u010diacemu garbiarovi Simeonovi (\u0160imon). Ide o\u00a0v\u00fdjav in\u0161pirovan\u00fd ver\u0161ami z\u00a0knihy Skutky apo\u0161tolov. Romantizuj\u00faca krajina s\u00a0fikt\u00edvnou architekt\u00farou a\u00a0s\u00a0palmou, ne\u010faleko ktorej vy\u010dnievaj\u00fa z\u00a0mora dve brvn\u00e1, na ak\u00fdch garbiari \u010distili ko\u017ee, zodpoved\u00e1 textu: \u201ePo\u0161li teda mu\u017eov do Jopy a\u00a0povolaj si \u0160imona, pr\u00edmen\u00edm Petra; b\u00fdva u\u00a0ist\u00e9ho ko\u017eeluha \u0160imona, ktor\u00fd m\u00e1 dom pri mori.<\/em>\u201c (Skutky apo\u0161tolov 10\/5,6) S\u00fa\u010das\u0165ou maliarskeho vyobrazenia je znak garbiarskeho cechu umiestnen\u00fd v pravom dolnom rohu.<\/p>\n

Ma\u013eba je na oboch stran\u00e1ch pomerne zna\u010dne po\u0161koden\u00e1. V s\u00fa\u010dasnosti je pl\u00e1tno vy\u0148at\u00e9 zo z\u00e1stavov\u00e9ho listu a ma\u013eba je upevnen\u00e1 v miestach po\u0161kodenia. Odp\u00e1ran\u00fd obraz sa najprv vyrovn\u00e1va vlastnou v\u00e1hou, nesk\u00f4r bude dorovn\u00e1van\u00fd aj pomocou z\u00e1\u0165a\u017e\u00ed . Nasleduj\u00face re\u0161taur\u00e1torsk\u00e9 \u00fakony po\u010d\u00edtaj\u00fa aj s tmelen\u00edm \u00fabytkov ma\u013eby, retu\u0161ovan\u00edm a jeho celkov\u00fdm farebn\u00fdm scelen\u00edm. Textiln\u00e1 \u010das\u0165 bola zatia\u013e podroben\u00e1 rozboru materi\u00e1lu a textilnej v\u00e4zby, ako aj mapovaniu star\u0161\u00edch opr\u00e1v. Nasledovalo \u010distenie z\u00e1stavy such\u00fdm aj mokr\u00fdm sp\u00f4sobom a farbenie krepeliny, ur\u010denej na prekr\u00fdvanie a spevnenie origin\u00e1lnej tkaniny. S\u00fa\u010das\u0165ou \u010fal\u0161ieho o\u0161etrenia bude odstra\u0148ovanie star\u00fdch z\u00e1sahov, dop\u013a\u0148anie ch\u00fdbaj\u00facich \u010dast\u00ed n\u00e1hradn\u00fdm materi\u00e1lom \u010di sce\u013eovanie po\u0161koden\u00fdch strapcov a\u00a0uvo\u013enen\u00fdch \u0161vov.<\/p>\n

Zre\u0161taurovan\u00e1 z\u00e1stava bude prezentovan\u00e1 verejnosti v\u00a0priestoroch st\u00e1lej expoz\u00edcie Budat\u00ednskeho hradu v\u00a0priebehu j\u00fana 2021.<\/p>\n

Text: Zdeno Hogh<\/p>\n

Foto: Anna Kuchar\u010d\u00edkov\u00e1, Anna Blonska<\/p>\n

Projekt z\u00a0verejn\u00fdch zdrojov podporil Fond na podporu umenia.<\/p>\n

\"\"<\/a><\/p>\n

Cechov\u00e1 z\u00e1stava s patr\u00f3nmi \u010di\u017em\u00e1rov aj \u0161evcov<\/p>\n

\"\"<\/a><\/p>\n

Demont\u00e1\u017e obrazu, uvo\u013e\u0148ovanie lemu so strapcami<\/p>\n

\"\"<\/a><\/p>\n

Detail po\u0161kodenia ma\u013eby<\/p>\n

\"\"<\/a><\/p>\n

Stredn\u00fd c\u00edp po\u010das re\u0161taurovania<\/p>\n

\"\"<\/a><\/p>\n

Zlat\u00e9 p\u00edsmo na tkanine<\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

V historick\u00fdch zbierkach Pova\u017esk\u00e9ho m\u00fazea v \u017diline sa nach\u00e1dzaj\u00fa r\u00f4zne zauj\u00edmav\u00e9 expon\u00e1ty. Jedn\u00fdm z nich je ur\u010dite aj reprezentat\u00edvna z\u00e1stava zdru\u017een\u00fdch cechov z Var\u00edna, ktor\u00e1 moment\u00e1lne prech\u00e1dza re\u0161taurovan\u00edm. T\u00e1to v\u00fdnimo\u010dn\u00e1 z\u00e1stava poch\u00e1dza zo z\u00e1vere\u010dn\u00e9ho obdobia existencie cechov\u00fdch organiza\u010dn\u00fdch \u0161trukt\u00far, s konkr\u00e9tnym datovan\u00edm do roku 1861. Prebiehaj\u00face re\u0161taur\u00e1torsk\u00e9 pr\u00e1ce vykon\u00e1vaj\u00fa Mgr. art. Anna Blonska \u2013 re\u0161taur\u00e1torka […]<\/p>\n","protected":false},"author":2,"featured_media":43941,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[31],"tags":[],"class_list":["post-43929","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuality"],"yoast_head":"\nRe\u0161taurovanie cechovej z\u00e1stavy - Pova\u017esk\u00e9 m\u00fazeum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pmza.sk\/?p=43929\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Re\u0161taurovanie cechovej z\u00e1stavy - Pova\u017esk\u00e9 m\u00fazeum\" \/>\n<meta property=\"og:description\" content=\"V historick\u00fdch zbierkach Pova\u017esk\u00e9ho m\u00fazea v \u017diline sa nach\u00e1dzaj\u00fa r\u00f4zne zauj\u00edmav\u00e9 expon\u00e1ty. 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