{"id":78289,"date":"2026-06-16T12:03:13","date_gmt":"2026-06-16T10:03:13","guid":{"rendered":"https:\/\/pmza.sk\/?p=78289"},"modified":"2026-06-16T12:03:13","modified_gmt":"2026-06-16T10:03:13","slug":"ukoncenie-i-etapy-restaurovania-historickej-zastavy-hrnciarskeho-cechu","status":"publish","type":"post","link":"https:\/\/pmza.sk\/?p=78289","title":{"rendered":"Ukon\u010denie I. etapy re\u0161taurovania historickej z\u00e1stavy hrn\u010diarskeho cechu"},"content":{"rendered":"

Pova\u017esk\u00e9 m\u00fazeum sa v r\u00e1mci svojej starostlivosti o zbierkov\u00e9 fondy u\u017e nieko\u013eko rokov usiluje aj o re\u0161taur\u00e1torsk\u00fa obnovu po\u010detnej zbierky historick\u00fdch cirkevn\u00fdch a cechov\u00fdch z\u00e1stav. Je to zd\u013ahav\u00fd proces, ktor\u00fd si vy\u017eaduje odborn\u00e9 znalosti i remeseln\u00e9 zru\u010dnosti a tie\u017e nemal\u00e9 finan\u010dn\u00e9 prostriedky. V\u010faka podpore Fondu na podporu umenia bolo mo\u017en\u00e9 od j\u00fala 2025 do j\u00fana 2026 zrealizova\u0165 prv\u00fa etapu re\u0161taurovania historickej cechovej z\u00e1stavy hrn\u010diarskeho cechu z Var\u00edna. Odborn\u00fdmi garantkami a z\u00e1rove\u0148 vykon\u00e1vate\u013ekami re\u0161taur\u00e1torskej obnovy boli Mgr. art. Anna Blonska, re\u0161taur\u00e1torka historick\u00fdch text\u00edli\u00ed a akad. mal. \u013duba Wehlend, ArtD. so \u0161pecializ\u00e1ciou na re\u0161taurovanie z\u00e1vesn\u00fdch obrazov na pl\u00e1tne alebo in\u00fdch nosi\u010doch.<\/p>\n

Z\u00e1stavu, ktor\u00e1 vznikla pravdepodobne medzi koncom 18. a prvou polovicou 19. storo\u010dia m\u00f4\u017eeme typologicky priradi\u0165 k procesiov\u00fdm cechov\u00fdm z\u00e1stav\u00e1m ozna\u010dovan\u00fdm ako koruhva s kr\u00ed\u017eov\u00fdm rahnom. Rahno je ob\u0161it\u00e9 tkaninou a na oboch stran\u00e1ch ukon\u010den\u00e9 ozdobn\u00fdmi s\u00fastru\u017een\u00fdmi hlavicami. Z\u00e1stavov\u00fd list obd\u013a\u017enikov\u00e9ho tvaru zdoben\u00fd po obvode strapcovou lemovkou tmavohnedej farby je z v\u00ednovo\u010dervenej vlnenej tkaniny s rastlinn\u00fdm vzorom a v spodnej \u010dasti prech\u00e1dza do troch c\u00edpov. Zo v\u0161etk\u00fdch pravdepodobne p\u00f4vodne viseli strapce s dreven\u00fdmi jadrami, no zachoval sa len prostredn\u00fd. V hornej \u010dasti je z oboch str\u00e1n pri\u0161it\u00fd p\u00e1s s ru\u010dne ma\u013eovan\u00fdmi zlato\u017elt\u00fdmi n\u00e1pismi, tie\u017e zdoben\u00fd strapcovou lemovkou. Do stredu listu je v\u0161it\u00e9 obojstranne ma\u013eovan\u00e9 pl\u00e1tno, pri\u010dom k jednotliv\u00fdm v\u00fdjavom prisl\u00facha na ka\u017edej strane aj n\u00e1pis. Zobrazenie Sv. Flori\u00e1na, ako patr\u00f3na hrn\u010diarov sprev\u00e1dza n\u00e1pis S. FLORIANE ORA P.N. (Sv\u00e4t\u00fd Flori\u00e1n, oroduj za n\u00e1s). V pravej dolnej \u010dasti obrazu sa nach\u00e1dza cechov\u00fd znak hrn\u010diarov. V romantickom \u0161t\u00edte s\u00fa symetricky rozmiestnen\u00e9 identifika\u010dn\u00e9 predmety remesla \u2013 hrn\u010diarsky kruh s hrncom a po stran\u00e1ch dva kr\u010dahy. Reverz z\u00e1stavy tvor\u00ed vyobrazenie Krista v spolo\u010dnosti mlad\u00e9ho mu\u017ea v\u00a0 krajinnej scen\u00e9rii a n\u00e1pis JESU PATER PAUPERUM MN (Je\u017ei\u0161 otec chudobn\u00fdch, zmiluj sa nad nami). Z ikonografick\u00e9ho h\u013eadiska nejde o be\u017en\u00e9 zobrazenie a m\u00f4\u017eeme preto predpoklada\u0165, \u017ee s\u00favis\u00ed priamo s hrn\u010diarskym cechom, ale jeho interpret\u00e1cia zatia\u013e nie je jasn\u00e1. S\u00fa\u010das\u0165ou v\u00fdjavu je v samostatnom poli nama\u013eovan\u00fd symbol hrn\u010diarov, Adam a Eva pod stromom poznania. Metafora hrn\u010diara a hliny je v kres\u0165anskej teol\u00f3gii \u00fazko spojen\u00e1 s ot\u00e1zkou stvorenia \u010dloveka, ale aj formovania \u013eudstva. V Knihe proroka Jeremi\u00e1\u0161a (18, 1-6)\u00a0sa Boh s\u00e1m prirovn\u00e1va k\u00a0hrn\u010diarovi a\u00a0\u013eudstvo k\u00a0hline v\u00a0jeho ruk\u00e1ch.<\/p>\n

Cie\u013eom aktu\u00e1lne ukon\u010denej etapy bolo \u00faplne o\u0161etrenie textilnej \u010dasti a \u010diasto\u010dn\u00e9 o\u0161etrenie v\u0161it\u00e9ho obojstranne ma\u013eovan\u00e9ho obrazu. Samotn\u00fd proces re\u0161taurovania zah\u0155\u0148al viacero krokov, ako such\u00e9 a mokr\u00e9 \u010distenie tkaniny, \u010distenie lok\u00e1lnych \u0161kv\u0155n, vyrovnanie deform\u00e1ci\u00ed povrchu za\u0165a\u017een\u00edm, sce\u013eovanie drobn\u00fdch trhl\u00edn, upev\u0148ovanie uvo\u013enen\u00fdch \u0161vov a odp\u00e1ran\u00fdch strapcov\u00fdch lemoviek, \u010di v\u00fdrobu ch\u00fdbaj\u00facich z\u00e1vesn\u00fdch strapcov. Ke\u010f\u017ee ide o kombin\u00e1ciu textilnej zlo\u017eky a obojstranne ma\u013eovan\u00e9ho pl\u00e1tna, s\u00fa\u010das\u0165ou odbornej \u010dinnosti v I. etape re\u0161taurovania bolo aj \u010diasto\u010dn\u00e9 o\u0161etrenie obrazovej \u010dasti, ktor\u00e1 bola za t\u00fdmto \u00fa\u010delom vy\u0148at\u00e1 zo z\u00e1stavov\u00e9ho listu. Podobne ako pri tkanine, aj mechanick\u00e9 vlastnosti maliarskej vrstvy s\u00fa ovplyv\u0148ovan\u00e9 r\u00f4znymi faktormi, napr. meniacim sa prostred\u00edm \u010di pohybom pl\u00e1tenn\u00e9ho nosi\u010da. Doch\u00e1dza tak k jej \u00fabytku, pohybom pl\u00e1tna vznikaj\u00fa praskliny, ktor\u00e9 podporuj\u00fa jej postupn\u00e9 odlupovanie, vznikaj\u00fa aj trhliny v pl\u00e1tenn\u00fdch nosi\u010doch. V pr\u00edpade v\u0161it\u00e9ho obrazu i\u0161lo zatia\u013e o stabiliz\u00e1ciu ma\u013eby prelepen\u00edm, sce\u013eovanie trhl\u00edn a vyrovn\u00e1vanie textiln\u00e9ho nosi\u010da s ma\u013ebou.<\/p>\n

V nasleduj\u00facej f\u00e1ze obnovy bud\u00fa zrealizovan\u00e9 sondy s cie\u013eom odhali\u0165 rozsah nov\u0161\u00edch premalieb a zv\u00e1\u017ei sa vhodnos\u0165 ich odstr\u00e1nenia. \u010ealej sa bude postupova\u0165 pod\u013ea vypracovan\u00e9ho n\u00e1vrhu re\u0161taur\u00e1torsk\u00fdch pr\u00e1c, ktor\u00fdch s\u00fa\u010das\u0165ou bude aj o\u0161etrenie obojstrann\u00e9ho n\u00e1pisov\u00e9ho p\u00e1su a z\u00e1vere\u010dn\u00e1 kompletiz\u00e1cia z\u00e1stavy.<\/p>\n

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Obr. \u010d. 1 \u2013 Predn\u00e1 strana z\u00e1stavy pred re\u0161taurovan\u00edm\/foto: Miroslav Janou\u0161<\/p>\n

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Obr. \u010d. 2 \u2013 Zadn\u00e1 strana z\u00e1stavy pred re\u0161taurovan\u00edm\/foto: Miroslav Janou\u0161<\/p>\n

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Obr. \u010d. 3 \u2013 Stav po re\u0161taurovan\u00ed textilnej \u010dasti z\u00e1stavy\/foto: Anna Blonska<\/p>\n

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Obr. \u010d. 4 \u2013 Vy\u010disten\u00fd diel z\u00e1stavy a stav pred \u010disten\u00edm\/foto: Anna Blonska<\/p>\n

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Obr. \u010d. 5 \u2013 Odstra\u0148ovanie sekund\u00e1rnych textiln\u00fdch z\u00e1plat z obrazu\/foto: \u013duba Wehlend<\/p>\n

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Obr. \u010d. 6 \u2013 Stav po zlepen\u00ed trhl\u00edn a vlo\u017een\u00ed jednej pl\u00e1tennej intarzie, detail\/foto: \u013duba Wehlend<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Pova\u017esk\u00e9 m\u00fazeum sa v r\u00e1mci svojej starostlivosti o zbierkov\u00e9 fondy u\u017e nieko\u013eko rokov usiluje aj o re\u0161taur\u00e1torsk\u00fa obnovu po\u010detnej zbierky historick\u00fdch cirkevn\u00fdch a cechov\u00fdch z\u00e1stav. Je to zd\u013ahav\u00fd proces, ktor\u00fd si vy\u017eaduje odborn\u00e9 znalosti i remeseln\u00e9 zru\u010dnosti a tie\u017e nemal\u00e9 finan\u010dn\u00e9 prostriedky. V\u010faka podpore Fondu na podporu umenia bolo mo\u017en\u00e9 od j\u00fala 2025 do j\u00fana […]<\/p>\n","protected":false},"author":2,"featured_media":78291,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[31],"tags":[73],"class_list":["post-78289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuality","tag-uvod"],"yoast_head":"\nUkon\u010denie I. etapy re\u0161taurovania historickej z\u00e1stavy hrn\u010diarskeho cechu - Pova\u017esk\u00e9 m\u00fazeum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pmza.sk\/?p=78289\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ukon\u010denie I. etapy re\u0161taurovania historickej z\u00e1stavy hrn\u010diarskeho cechu - Pova\u017esk\u00e9 m\u00fazeum\" \/>\n<meta property=\"og:description\" content=\"Pova\u017esk\u00e9 m\u00fazeum sa v r\u00e1mci svojej starostlivosti o zbierkov\u00e9 fondy u\u017e nieko\u013eko rokov usiluje aj o re\u0161taur\u00e1torsk\u00fa obnovu po\u010detnej zbierky historick\u00fdch cirkevn\u00fdch a cechov\u00fdch z\u00e1stav. Je to zd\u013ahav\u00fd proces, ktor\u00fd si vy\u017eaduje odborn\u00e9 znalosti i remeseln\u00e9 zru\u010dnosti a tie\u017e nemal\u00e9 finan\u010dn\u00e9 prostriedky. 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